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The Song of the Levite |
Psalm Transcriptions |
download mp3. demo of Psalm 136 (w/Cantor 2.1 synthesized choir) Cantor 2.1 is a vocal, singing emulation program (Cantor 2.1, VirSyn Software Synthesizer Bruchsaler Weg 4 76327 Pfinztal, Germany) that enables a composer to approximate the human voice without the aid of a live choir or soloist. The Hebrew vocals in this format are a bit rough, but are more than adequate to provide a general sense of what the works sound like until such time as a group of singers can be assembled and recorded.
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Keys: |
A minor / E minor |
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Time Signature: |
3/4 |
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Vocal Range: |
F#3 to C4 |
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Format: |
lead caller with responsive vocals |
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Style: |
marching cadence |
Psalm 136 appears to be a responsive type of song in a very
unique format, a type of cadence. In other words something
you would march to. As with most of the Psalms, there is an
antecedent and consequent phrase. The main difference
in this particular Psalm is that the consequent phrase is
always the same - the same words and the same melody for all
twenty-six verses. This phrase, [because His faithfulness is
everlasting - ke la-o-läm' chäs-do'] is
echoed forty-one times throughout the Hebrew texts and always in
relation to the Levites. The antecedent phrase on the
other hand tells the story with the consequent phrase responding
because His faithfulness is everlasting.
From the resulting melodies
derived from the te'amim we can be fairly certain that
this was performed by two groups. This is indicated by the fact
that the antecedent phrase of verse nine (which enters on
measure 44) overlaps the consequent phrase of verse eight
lyrically and melodically, thus making it impossible to be
performed by a single choir or a single individual.
After playing this composition
over and over for months, there was something familiar with the
'feel' of the composition. For starters, the tempo (how
fast the piece was played) made the most sense musically as a
moderately up-tempo and lively composition. It also reminded me
of a cadence, something one would march to. So what possible
connection could a marching cadence have with the Levites? The
moving of the Ark...
In the account of the moving of
the Ark to Jerusalem we know a few things; there were three
singers attached to the entourage, a small group of lyres and
harps and no choir. It was the function of this initial marching
ensemble to accompany the twelve Levites who were physically
carrying the heavy Ark on their shoulders. What better way to
make this privileged, yet physically hard task easier than to
sing.
As the Ark was lifted on the
shoulders of the Levites under the direction of Chenaniah (the
foreman of the transport), the singers may have struck their
cymbals for the opening pitches and the call to praise Yah
(the opening halelu Yah as per the Greek Septuagint). As
the men carrying the Ark started, the singers started with
"Give thanks to Yahveh for He is Good." The men
carrying the Ark responded with "because His faithfulness is
everlasting." With each verse, the Ark bearers moved four
paces in time with the cadence. As there are no other Psalm
manuscripts that maintain this particular, very unique and
consistent format, it may be reasonable to assume that this may
have been the circumstance in which this particular manuscript
was originally performed. It may also have been a composition
that was part of the Levite musical repertoire prior to formally
being incorporated within the Tabernacle and later Temple
systems.
In addition to the repetitious
consequent phrase, we find the there are only a few simple
chords used in the entire composition A minor and E7 (for the
primary themes), E minor and B7 (for the secondary themes (see
Psalm 117 for another example of this type of format). If you are
a musician, you know that the hardest situation to play in is in
a marching band with your instrument bouncing up and down as you
march. The chords utilized required no additional fingerings,
were easily learned and could be played on the open strings of
the lyre. Due to the folk-like quality of this song, the melodies
of the antecedent phrase could easily be improvised over
these few simple chord changes found in the piece. This Psalm may
be merely an example of this type of song or an attempt to
document and preserve the music of this very important event.
Psalm 136 |
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| 1. Give thanks to Yahveh for He is good: | Because His faithfulness is everlasting |
| 2. Give thanks to God of the gods: | etc. |
| 3. Give thanks to Lord of the lords: | etc. |
| 4. For He alone works great things: | etc. |
| 5. For He made with skill the heavens: | etc. |
| 6. For He spread the land over the waters: | etc. |
| 7. For He made great lights: | etc. |
| 8. The sun to rule by day: | etc. |
| 9. The moon and stars rule by night: | etc. |
| 10. For He smote Egypt in their first-born: | etc. |
| 11. And brought Israel out from among them: | etc. |
| 12. With a strong hand and an outstretched arm: | etc. |
| 13. For He divided the Sea of Reeds: | etc. |
| 14. And made Israel to pass through the midst of it: | etc. |
| 15. And threw off Pharaoh & his army in the Sea of Reeds: | etc. |
| 16. For He led His people through the wilderness: | etc. |
| 17. For He struck down great kings: | etc. |
| 18. And killed infamous kings: | etc. |
| 19. Including Sihon, king of the Amorites: | etc. |
| 20. And Og, king of Bashan: | etc. |
| 21. And gave their land as an inheritance: | etc. |
| 22. An inheritance for His servant Israel: | etc. |
| 23. Who in our humble condition remembered us: | etc. |
| 24. And rescued us from our enemies: | etc. |
| 25. He gives food to all flesh: | etc. |
| 26. Give thanks to God of the heavens: | etc. |




|
The Song of the Levite |
Psalm Transcriptions |