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The Song of the Levite |
Psalm Transcriptions |
download mp3. piano demo of Psalm 96
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Keys: |
A minor / E minor |
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Time Signature: |
3/4 |
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Vocal Range: |
D3 to C4 |
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Format: |
choral |
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Style: |
song of praise |
With the Ark of the Covenant firmly secured in a tent within the city of David, the Levite singers and musicians who had participated in the processional that accompanied the transport of the Ark from Gath, were now given this landmark composition to premier before the Ark and the people. The original work, found in its entirety in 1 Chronicles 16:8-33, was at some juncture adapted into two of the Psalm manuscripts; 105 and 96.
Following this train of thought presented for Psalm 136, we can see how this monumental event in the history of the Bible events may have taken place and the setting in which Psalm 136, 105 and 96 were originally performed.
After a failed initial attempt
to relocate the Ark to the city of David (1 Chronicles 13:1-14, 2
Samuel 6:1-11), David instructs the Levites to carry the Ark in
the manner prescribed by Moses, on the shoulders of the Levites
(1 Chronicles 15:1-29, 2 Samuel 6:12-15). The Ark is moved on the
shoulders of the Levites from the house of Obed-Edom in Gath to a
tent prepared in the city of David. The small marching ensemble
of singers and musicians that accompanied the transport provided
the cadence for the Ark bearers - Psalm 136.
Entering the city of David to the
cries and jubilation of the people, the Ark is secured within the
tent and the Levites (1 Chronicles 16:1-7, 2 Samuel 6:16-19) are
given a song commemorating the event (1 Chronicles 16:8-33). Upon
completion of this premier performance, the Levites conclude with
a reiteration of the theme of Psalm 136:1 (1 Chronicles 16:34)
that was sung as the Ark was carried. In the original work
presented in the Chronicles account, we see a closing statement
and a clear relationship to Psalm 136 that was sung by the
Levites as they carried the Ark to the city of David:

After presenting burnt offerings, David blesses the people in the Name of Yahveh Sabaoth (2 Samuel 6:18):
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"and say you; 'Save us O God of our salvation and gather us together and deliver us from the nations, so that we may give thanks to your holy Name, that we may glory in your praise.' 'Blessed be Yahveh, God of Israel from everlasting even to everlasting.' To which all the people said; 'amen' and 'praise to Yahveh.'" - 1 Chronicles 16:35-36 |
One of the advantages of being able to look at the Psalm manuscripts melodically and harmonically is how the verses are numbered. For example, if we look at Psalm 96:12-13 as it appears in most Bibles, we can see that the phrase "before Yahveh" is placed at the beginning of verse 13.
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As written, verse 13 does make a great deal of sense. However, with the consideration of the melody derived, we find that this phrase before Yahveh is actually an extended section and transitional phrase of the previous verse.
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Both from a lyrical standpoint
and a melodic standpoint, the phrase "before Yahveh"
was clearly intended to be part of the verse 12 and not a
separate thought hooked to verse 13. You can prove this by asking
the question posed in verse 12, "What did the trees cry out
for joy before Yahveh?" The answer, "For He is
come, For He is come to govern the world..."
From the texts that follow, it was
at this juncture that David not only re-instituted the ritual
functions of the priests (1 Chronicles 16:39-40) at the
Tabernacle, but also formally incorporated along side the rituals
of the priests, a service-of-song that utilized the non-priest
Levite musicians and singers. This form of worship service with
music and singers would outlive the priestly functions into our
present day. David apparently also initiated for the first time,
or at least brought it to the forefront, the incorporation of the
playing the Name of Yahveh and Yah within the
melodies of the singers and musicians.
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"It was on this day that David first initiated [the manner in which] to give thanks to Yahveh by the hand of Asaph and his brothers - 1 Chronicles 16:7 |

We find this compositional device and form of musical praise in the opening melody verse of Psalm 105 (the parallel manuscript of 1 Chronicles 16:8). Within Psalm 96 (the second part of this initial composition) we find the sequence of tones A - C - B - C that correlate to the Name of Yahveh in relation to the Davidic cipher are found in four places:
Some other examples of melodically playing "Yahveh" within the melody

Along with being able to see this very clever compositional device incorporated within the melodies of the Psalms, we are also able to see more clearly the structure of the compositions in relation to not just the words themselves, but also melodically. Even without consideration of the beautiful lyrics, Psalm 96 is a major vocal work embodying strong themes and melodic lines, beautiful harmonic structures and provides one of the classic examples of the application of the Davidic cipher and the te'amim in transcribing the Psalm manuscripts.
| Section | verse | bars | total measures | |
| [A] | main theme | 1 | 1-8 | 8 |
| a1 | 2 | 9-16 | 8 | |
| a1 | 3 | 17-24 | 8 | |
| b1 | ||||
| [B] | secondary theme | |||
| c1 | 4 | 25-32 | 8 | |
| c1 | 5 | 33-40 | 8 | |
| d1 | 6 | 41-48 | 8 | |
| [C] | restating of main theme (with slight variations) | |||
| a1 | 7 | 49-56 | 8 | |
| a1 | 8 | 57-64 | 8 | |
| b1 | 9 | 65-72 | 8 | |
| 73-76 | 4 | |||
| bridge to refrain | ||||
| [D] | refrain (main theme) | |||
| a1 | 10 | 77-84 | 8 | |
| a1 | 11 | 85-92 | 8 | |
| b1 | 12 | 93-100 | 8 | |
| bridge to tag | 101-104 | 4 | ||
| [E] | tag | 13 | 105-117 | 14 |
We additionally find that these sectional divisions of the melodies are carried over in the lyrics themselves with sections imperative and declarative statements.
| Section | Type | verse | |
| [A] | imperative | 1 | sing...; sing... |
| 2 | sing...; bless; proclaim... | ||
| 3 | recount... | ||
| [B] | declarative | 4 | great is...; reverenced above... |
| 5 | worthless...; made heavens... | ||
| 6 | honor...; strength..... | ||
| [C] | imperative | 7 | give...; give.... |
| 8 | give...; carry... | ||
| 9 | bow down...; tremble... | ||
| bridge | imperative/declarative | say...; "Yahveh is King!" | |
| [D] | declarative | 10 | He established...; He will judge... |
| 11 | let the heavens...; let the sea... | ||
| 12 | let the field...; then shall the trees | ||
| tag | declarative | 13 | for He comes...; for He comes... |
| He will govern... | |||
Lyric Sheet Psalm 96





|
The Song of the Levite |
Psalm Transcriptions |