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The Song of the Levite |
Psalm Transcriptions |
download mp3. demo of Psalm 23 (w/Cantor 2.1 synthesized voice) Cantor 2.1 is a vocal, singing emulation program (Cantor 2.1, VirSyn Software Synthesizer Bruchsaler Weg 4 76327 Pfinztal, Germany) that enables a composer to approximate the human voice without the aid of a live choir or soloist. The Hebrew vocals in this format are a bit rough, but are more than adequate to provide a general sense of what the works sound like until such time as a group of singers can be assembled and recorded.
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Title: |
Yahveh is my shepherd |
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Sub-Title: |
"I shall not want" |
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Keys: |
A minor and E minor |
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Time Signature: |
3/4 |
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Vocal Range: |
E3 to D4 |
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Format: |
solo lead vocal |
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Style: |
ballad |
If you were to pick one chapter of the Bible that is taught,
memorized and recited more often by people of the Jewish and
Christian faiths it would have to be the twenty-third Psalm. It
is a love song. It is a song of hope. It is a intimate song
expressing so well the trust David held for Yahveh. Unlike the
previous example of Psalm 96, which was most likely sung by a
vocal ensemble accompanied with lyres and harps, the
'feel' of Psalm 23 is that of a solo composition,
accompanied by a single lyre playing the chords.
Unlike our previous examples, the
verses of Psalm 23 are not grouped in any discernible pattern,
but flow beautifully from one verse to the next, the melody of
each verse complimenting the lyrical content expressed. All that
being said, the melodic content of the verses however could be
shown as:
Yes, this song has an
introduction. In the one-hundred and fifty Psalm manuscripts of
the Hebrew texts, one-hundred and sixteen have what are called
superscriptions. These superscriptions, which depending on
the translation of the Bible you are using, may or may not be
listed as a verse, contain information that relates to the song
that follows. Most of this information is technical and not
theological by nature and includes among other things: the
author, instrumentation, style, tempo, song title, sub-titles,
etc. In contemporary sheet music, this type of information is
included in the header of the music. In the Hebrew texts, this
information is also included as part of the melody of the main
song.
The superscription of Psalm 23
contains three pieces of information: who wrote the song (a
melody of David), the title (Yahveh is my shepherd) and a
sub-title (I shall not want). How do we know this? Using the
te'amim as the source for the melody, we can hear that
this information 'sets-up' and introduces melodically,
harmonically and lyrically the main song itself. Even though the
superscription is an integral part of the work and should be
included as such, the remaining verses can standalone, without
the introduction as a complete composition both melodically and
lyrically.
Even through the primary
mode for this song is the ahava rabboh mode, as in Psalm
96, David introduces different modes and melodies to create
emotion and variation as the song progresses. It is also another
text book example of a well written song both melodically and
lyrically. Hearing this song and the others of the Psalm
manuscripts for the first is always an extraordinary experience
for me. Hearing not only the lyrics, but also being able to play
melodies that were written so many years ago gives a totally new
appreciation and understanding of these works. To me, it is
nothing short of a miracle to be able to hear, sing, and arrange
the words and melodies of these ancient composers and
musicians.
one of the melodies of David.
Yahveh is my Shepherd
(I shall not want)



|
The Song of the Levite |
Psalm Transcriptions |