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The Davidic Cipher


The Davidic Cipher

The Davidic Cipher is the Rosetta Stone that provides the key enabling the ten symbols of the te'amim1 found within the psalm manuscripts to be deciphered into fixed pitched and written in standard music notation. Utilizing the principles of a simple atbash cipher2, the Davidic Cipher links the following three elements together:

1. Twenty-two letters of the Hebrew alephbet (read right-to-left).

Hebrew alephbet

2. Twenty-four tones of an ascending quartertone musical scale (read left-to-right)3.

ascending quartertone scale

3. Ten symbols of the cantillation marks found within the Psalm manuscripts3.

ten symbols of the te'amim

atbash cipher (traditional and as applied to the quartertone scale4)

atbash cipher - tranditional and applied to the quartertone scale

"Davidic Cipher" in standard musical notation w/associated cantillation symbols

The Davidic Cipher


1 aka cantillation marks, trope, Hebrew accents
2 the atbash cipher is a basic substitution cipher used by the early Hebrew writers of the Bible to obscure or encrypt the original Hebrew word (see Jeremiah 25:26, 51:11, 51:41). In a traditional atbash cipher, the Hebrew alephbet is applied in reverse to itself. In relation to the musical system of the Psalms, the letters of the alephbet are applied as read (right-to-left) to the tones of an ascending quartertone scale (left-to-right). This is similar to the Greek system of notation explained by a few music theorists of the third or fourth century C.E. (Henderson, Isobel. "Ancient Greek Music." In Ancient and Oriental Music, edited by Egon Wellesz, (London, New York, Toronto: Oxford University Press, 1957), 336-403)
3 "On ten, and on a harp. On meditation with a lyre." - Psalm 92:3 (92:4 JPS)
4 in the Davidic Cipher, the two quartertones between the tritone F and B and their notes of resolution (i.e., F-to-E and B-to-C) are omitted and not associated with the twenty-two letters of the Hebrew alephbet.


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