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The Psalm Transcriptions |
The Davidic Cipher |
The Davidic Cipher is the Rosetta Stone that provides the key enabling the ten symbols of the te'amim1 found within the psalm manuscripts to be deciphered into fixed pitched and written in standard music notation. Utilizing the principles of a simple atbash cipher2, the Davidic Cipher links the following three elements together:
1. Twenty-two letters of the Hebrew alephbet (read right-to-left).
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2. Twenty-four tones of an ascending quartertone musical scale (read left-to-right)3.

3. Ten symbols of the cantillation marks found within the Psalm manuscripts3.
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atbash cipher (traditional and as applied to the quartertone scale4)


1 aka cantillation marks,
trope, Hebrew accents
2 the atbash cipher is a
basic substitution cipher used by the early Hebrew writers of the
Bible to obscure or encrypt the original Hebrew word (see
Jeremiah 25:26, 51:11, 51:41). In a traditional atbash
cipher, the Hebrew alephbet is applied in reverse to itself.
In relation to the musical system of the Psalms, the letters of
the alephbet are applied as read (right-to-left) to the tones of
an ascending quartertone scale (left-to-right). This is similar
to the Greek system of notation explained by a few music
theorists of the third or fourth century C.E. (Henderson, Isobel.
"Ancient Greek Music." In Ancient and Oriental
Music, edited by Egon Wellesz, (London, New York, Toronto: Oxford
University Press, 1957), 336-403)
3 "On ten, and on a harp. On
meditation with a lyre." - Psalm 92:3 (92:4 JPS)
4 in the Davidic Cipher, the two
quartertones between the tritone F and B and their notes of
resolution (i.e., F-to-E and B-to-C) are omitted and not
associated with the twenty-two letters of the Hebrew
alephbet.